By Robin Bright

Trink in hand, she began to speak, ‘The great mystery of children is that they play games. Whereas most of the literature on the psychology of the child viewed play as a form of drama, in which two or more kids engage in a theatrical display for the benefit of each other, more modern psychologists viewed play as a forerunner of plague. Kids were taught possession, and sharing through play, that is, what had been their toys, before they were broken by children from different territories; alien households. As a term the military gave to places, where their battles were fought,’ Trink displayed a war map of the Iraq campaign in Iran (1980-88) on the screen behind her, ‘theater was alien invasion movies (AIMS), and their war games, where they practiced invading, were how they’d play games, before the plague AIMS were realized in the war theater, which was why adults wanted children who’d play games territorially; to spread plague.

The late 20th century was characterized by ‘shoot ’em up’ video arcade games, for example, Comad Industry’s Gulf War (1991),’ Trink paused to shoot ’em up a few on the screen behind her, ‘and personal computer (PC) games that masqueraded as policemen (PCs),’ Trink paused to show a game feature with full frontal nudity, and all of the characters had inserts, black graphic strips to censor their genitals, as a parental guidance (PG) measure for a ‘young adults’ (YA) format, ‘but encouraged wholesale slaughter and destruction on as grand a scale as possible, because that was the plague aim. When television audiences “live on CNN and other networked channels” saw terrorist hijacked “civil” airliners crash into the Twin Towers of the World Trade Center on Manhattan Island in New York city, on September 11, 2001,’ Trink showed the planes crashing into the WTC on screen, using a pointer in her right hand, ‘it was what the United States of America had been anticipating in its science fiction movies, produced for generations by its mass media Empire, situated in the district of Hollywood, city of Los Angeles, west coast state of California; an alien invasion movie.

The Puppet Masters (1951), for example, by science fiction writer, Robert A. Heinlein (1907-88), featured parasitic invaders from outer space, “slugs”, which attached themselves to the spine. The novel evoked a sense of paranoia, and presented the perceived antithesis to American libertarianism, that is, the supposed will less centrally directed communist collective, as analogous to the parasites’ mind-control. Heinlein assumes the “saucers” seen in the 1950s were part of a preliminary reconnaissance of Earth, carried out by extraterrestrials in preparation for a full-fledged invasion sixty years later, which occurred on 9/11, 2001, but not in the way envisaged. In 1994, the movie The Puppet Masters had been produced, starring actor Donald Sutherland, as government agent Andrew Nivens,’ Trink flashed a picture of Heinlein’s ‘Old Man’ onto the screen, ‘after the United States and its allies waged the Gulf war of 1990 to remove the Iraqi army of President Saddam Hussein from Kuwait, where it had invaded to seize oil wells, which from the point of view of the dramatist was the beginning of the play, “Game”.

Moslem women were known for wearing the black one-piece coverall of the burka publicly to conceal themselves from the heat of the sun, which can be disfiguring to women in the Middle East, and from the infidel, that is, the western ‘unbeliever’, who would be maddened if they gleaned the meaning of their hidden role.

In Heinlein’s The Puppet Masters, the people are made to strip naked so that the army and security agencies can see if they have “slugs” on their backs in order to kill and remove them. However, the reason that the women of Islam wear the burka is because of Judaism, founded by Isaac, son of Abraham’s wife, Sara, who barren thereafter gave her maid, ‘the Egyptian woman’, Hajer, to Abraham, and she bore Ishmael. Although the Old Testament of the Judeo-Christian Bible is the Torah and Talmud, which is the history and law of the Jews, superseded by the teaching of Jesus’ New Testament, Ishmael’s descendant, the Prophet Mohamed, received the Koran (610-30 BCE) from the angels of God, according to tradition, which permitted four wives to Moslem marriages, although the Judeo-Christians accused the Moslems of attempting to retroactively legitimize a bastard’s religion. However, while western women, categorized as TV by Moslems, are visible, Islamic women are futanarian, that is, the ‘remnant’ of the human race, as described by John, the disciple of Jesus, “Christ”, “the chosen”, in the apocalyptic New Testament of the Bible vision of the future, ‘The dragon was wroth with the woman and went to wage war on the remnant of her seed.’ (Rev: 12. 17) Any territory that waged war is a ‘dragon’, women, and boy sons were their plague, which was the tragedy of Eve, who preferred the poisons of the serpent of the paradise of Eden, Satan, to the first man created by God, Adam. The Moslem women of the Middle East were attacked, during the Gulf wars, because men suspected that they were concealing a penis, so the “slugs” had to be removed.’ Trink has walked over to what the audience hadn’t understood, and tears off the black garment to reveal a large, erect penis beteen the legs of the slug, “Thank you, Slugger!”

When Saddam Hussein appeared “live” on Baghdad TV to offer bases in Iraq to the Islamic Al Qaeda, “the base”, terrorist organization responsible for 9/11, the US army invaded in March 2003 and deposed him in their second Gulf war. The plane that seemed to have been flying to hit the Whitehouse official residence of then President George W. Bush Jnr, but was taken down by passengers ire towards the terrorists, and without any subsequent survivors, at a field in Stonycreek Township, Somerset County, near Shanksville, Pennsylvania,’ Trink showed film of Mickey Mouse, in Plane Crazy (1928), ‘was reminiscent of the alien invasion movie, Independence Day (1996), starring actor Bill Pullman, as President Thomas J. Whitmore, a former jet fighter pilot and Gulf war veteran.’ Trink demonstrates, using the Faramel developed PC video game, Fighter Aircraft Pilot (2020), to shoot ’em up a few.

‘Featuring a fifteen mile wide alien ship destroying Washington, D.C., with a single destructive beam from above, directed through the roof of the Whitehouse, the alien invasion movie (AIM) encouraged the plague gamers of the Moslem nations of the Middle East, that is, Al Qaeda, the terror group, led by Saudi Arabian civil engineering family head, Osama Ben Laden, operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan, and overthrown by US invasion, after “the events of 9/11”, by December 31st, 2001. A further hijacked plane on 9/11 had breached the Pentagon Defense Department building at Arlington, Virginia,’ Trink shows a rare film on the screen of the plane crashing into the Pentagon, which had to be created, because there wasn’t any, while she munches on a bag of the Frito-Lay manufacturer’s cheese puff snack, Cheetos, ‘leading to a partial collapse of the west side, and the resultant trillion US $ reactivation of the military industrial complex (MIC) meant the spread of the plague of war throughout the world.’

Trink finished reading the preamble to her PhD thesis at Minnie Mouse’s Sota state’s city of Minneapolis University of Martian Security Studies and Border Patrol Guards, Polyorchid Games, to Trunco, who briefed to examine her defense, asked the question, ‘If it’s plague, what’s the disease?’ Trink, balanced her spectacles on the end of her nose, for a more positive accoutrement, before explaining, ‘The illness originated in chimp’s balls, and was spread by homosexual monkey-fuckers, according to Africa’s Dr Congo in 1983, when a mutated version of simian immune deficiency virus (SIV) was discovered transmitted to humans (HIV), and acquired immune deficiency syndrome (AIDS), collapsed the organs of the body as the “incurable killer virus” climbed from the base of the spine, where it’d been injected by infected penis’ semen and blood, during homosexuality’s sterile mockery of human sexual reproduction, to kill the brain.

When the severe acute respiratory syndrome (SARS) began to appear in Asia, it was chimp’s balls again that the pharmaceutical companies, led by AstraZeneca,’ Trink showed a video of the American football team, Dallas Cowboys, playing on Astroturf, at owner’s “Jerry Jones World” stadium, Arlington, Texas, while munching on a bar of Snickers, ‘looked at, before using, as a vector, the modified chimp adenovirus ChAdOx1.

Although, to the casual observer, there was a gulf between the chimp’s balls and the adenoids, in chakra meditation studies, as the fifth on the chakra ladder, up from the base of the spine, at Muladhara, that is, at the throat chakra, the seat of purification, Vishuddi, according to the followers of the Indian subcontinent’s guru, Gautama Buddha (5th-4th centuries BCE), which function it is to purify the semen that backs up to the brain as “divine nectar”, Amrit, the chimp’s balls were pure nectar in comparison to those of the homosexual monkey-fuckers.

So it was decided that adenovirus ChAdOx1 was derived from chimp’s balls’ Amrit, and not those of deceased “Prince of pop” Michael Jackson’s Bubbles, but as had been presciently stated, by actress Drew Barrymore, in her role as Dylan Sanders, in the action comedy, Charlie’s Angels (2000), dating actor Tom Green, as fisherman, Chad, who fell into the river from his houseboat, declaring his heartfelt ove for her, and perhaps symbolizing the attendant dangers of descending into the chakra at the base of the spine, Muladhara, where the crocodile waits to devour the nascent consciousness, before the purified semen, as Amrit nectar, backs up to reach the brain, so activating heterosexuality, “It was the ChAd.”1

The human race was buggered at both ends, or rather men’s. It’d been Jesus, born from his mother, the Virgin Mary, represented in Christian iconography as crushing the head of the nasty poisonous penis-snake, Satan, who’d provided the clue. It’d been the angel, Satan, who’d refused to accept that the human host would be greater than the angelic, that had been turned into a serpent by God, and left in the paradise of Eden, where he tempted the woman, Eve, to “eat of the fruit of the tree of the knowledge of good and evil”, which it was death to taste, saying “You shall be as gods.” (Gen: 3. 5) Although God expelled Eve, and the first created man, Adam, from Eden, the “seed” of Eve, that is, women, were promised Redemption, “You shall crush the head of the serpent with your foot, but he will bruise your heel.” (Gen: 3. 15) The human race of women’s seed with their own penis’ semen were called futanarian, that is, Jesus’ mother Mary’s “foot” upon the head of the serpent, Satan, and its seed, was Jesus, as her representative of women’s seed, executed by the Jewish religious police, the Pharisees, for preaching “lesbianism” to women: “Love your neighbor as you love yourself.” (Mk: 12. 31) Caught by his homosexual disciple, Judas, alone with a woman, Judas sold Jesus to the Pharisees for “thirty pieces of silver”, “Leave her alone.” (Mk: 14. 6) In other words, the homosexuals didn’t want the human futa race to reproduce, because that would interfere with the aliens’ womb slavery for war against the species native to Earth.

Manufacturing men and women, as a single male-brained creature, wearing each other’s clothes, as a transvestite for “TV war”, the aliens had castrated women’s seed, which was originally “polyorchid”, that is, three testicled, as colonizing the cosmos was what God had created it for.’ Trink showed a short film of a working Ziggurat. ‘In ancient Mesopotamia, the phenomenon of the Ziggurat lay for many centuries unexplained, as a space computer. That of Ur, near Nasiriyah, in present-day Dhi Qar Province, Iraq, was built in the 21st century BCE, and functioned as a breeder-reactor for a women’s seed program to reach the planets amongst the stars. By producing the brainpower of women, that is, humanity’s, the supercomputer would develop the technologies needed to escape Earth’s pull.’ The film of the Ziggurat became a time lapse description of how the spaceship was constructed atop the structure before launch for the planets amongst the stars; taking as many polyorchid women as possible with it.

Trink showed a tasteful video of some polyorchid women, pulling amongst some palm dates, and palm nuts, in the trees of Miami, Florida, with a view of the University’s Leonard M. Miller School of Medicine, Coral Gables; the name accidentally of an actress who could have starred in Wild Palms (1993), the mini-series about virtual reality (VR), alongside Kim Cattrall, in her role as Hurry Wankoff’s secretary, Beige Fartz, except that was an alternative ‘spoof’ reality, Sweaty + Palms (2019), so Paige Katz was actor James Belushi’s PR director, in his role as Wild Palms CEO Harry Wyckoff, ‘Dream Carefully.’2

‘Unfortunately, Earth’s pull on its Persian Ziggurats was the same as its pull on its cigarettes, which was also the sacrificial secret of the ancient civilizations of South America’s Mayas, Aztecs, Incas, and Middle Eastern Egyptians. The 27th century BCE pyramid of Zoser at the Saqqara necropolis, northwest of Egypt’s city of Memphis, for example, was a step pyramid up which the women went as human sacrifices.’ Trink showed a film of women ascending steps to be beheaded on an altar, which had to be specially created, “Unffh!” ‘After the women’s Ziggurat had achieved its purpose, they were smoked by men, as a cigarette down to the butt again, which was what the supercomputing Ziggurats of Iraq, that is, the 14th century BCE, Dur-Kurigalzu at Aqar Quf, 30km west of the center of Baghdad; the Etemenanki, 90 km south of Baghdad; Iran’s Chogha Zanbil (c. 1250 BCE) , Khuzestan province, and Tepe Sialk (c. 3000 BCE), in a suburb of Iran’s city of Kashan, Isfahan, were for.

The Ziggurats were for a longer smoke. They’d seven levels, inside which the “gods” lived, corresponding to the seven planetary spheres in the Solar System of Earth; Moon, Mercury, Venus, Sun, Mars, Jupiter, and Saturn, that is, the “seven heavens”, whereas the Mayan, Aztec, and Inca step pyramids represented decadence. There the human bred didn’t ascend to the planets amongst the stars, as supercomputed colonizers, but were slaughtered, because that’s what they were for, so why bother with space colonies? The step pyramids were for rapes, and then napes, that is, the apes looked at the napes of the women’s necks, and saw that they were good, and beheaded them for their necropolis, which was what men were for, after they began to smoke the women’s seed, bred at the Ziggurats as cigarettes, rather than let women have the supercomputering of their brainpower to develop the technologies to take their species on to a marriage in heaven.’ Trink showed film of her apes shambling to no purpose other than to look for more women’s necks to drink blood from, as an expert “slug” remover.

‘Very good Trink,’ said Trunco Butto, applauding. ‘Of course the builders of the pyramids intended to escape to the planets amongst the stars, if they could, but without women’s seed to produce the brainpower to develop the needed technology, it’d be cryogenic slumber for spaceship Earth, while the Pharaohs waited for the women’s spaceships to return and resurrect them. If the tomb raiders didn’t get in to ensure the rot, the columns of sacrificial virgins up the side of the pyramids in South America, as well as in Egypt, would be a sign to the universe that the monkey-fuckers ruled the Earth, while TV was being manufactured for the aliens to watch humanity being extinguished in its cave.’

‘Traditionally, in science fiction,’ Trink went on a bit, ‘the Earth was invaded by BEMs, depicted on the cover of the “pulp” SF magazines of the 30s, for example, June 1936’s Astounding Stories, that is, as “bug-eyed monsters”, extrapolated in Robert A. Heinlein’s Starship Troopers (1959) novel for juveniles , as “Bugs”, themselves an extrapolation of homosexuality’s bug heads, responsible for spreading HIV/AIDS, and the coughin’ plague “game”, Covid-19, that is, cough “id”, revealed publicly at a Wuhan city hospital, Hubei province, China, in December 2019, a “monster from the id”,3 to quote actor Warren Stevens, in his role as Lt. “Doc” Ostrow from the scifi movie, Forbidden Planet (1956), whose digressions on human dreams, repressed by “the father of psychoanalysis” Sigumund Freud’s (1856-1939) superego, conditioning minds into accepting homosexual sterility, that is, species’ sterilization in TV war, “because that’s what they’re for”,4 is a commentary on the brain damage experienced by survivors of homosexual monkey-fucking. Sterilized, and/or without Amrit nectar, from human polyorchid spunk, backing up to the brain, or a Trink, upwards of 3 million people, worldwide, were killed with the coffin fit by summer ’21, although the TV, loaded, with its video disks (VDs), as a death row prisoner, still, awaited shooting; a ‘cuff vid’ 19″ set, in a prison for sexually transmitted diseases (STDs), while the “eye her” browsers raised their lids; women for braining shirts, “doing some ironing”, and a decent skull’s head chuck.

As human eyes see BEMs, that is, ICBMs, as a consequence of the buggered, that is, the beheading of the futanarian species of women’s seed, bred to be a TV war by the bugs, the race faced extinction through the deployment of intercontinental ballistic missiles (ICBMs), so the bug could head a lot more, as actor Caspar Van Dien said, in his role of protagonist , Johnny “ChAd” Rico, in the 1997 movie version of Starship Troopers, “Come on you apes, you wanna live forever?”5 Jerry Gonad, who “was a man”,6 prepared to lay down his adenoids for his fellows, replied, “Obviously, as it’s a TV war, manufactured by the bugs that head, and beginning a new with the bugger homosexual monkey-fuckers spreading of its mutated simian virus (SIV) to humans: snot.”‘

1 Barrymore, Drew as Dylan Sanders in Charlie’s Angels, Drew Barrymore, Leonard Goldberg, Nancy Juvonen, 2000.
2 Cattrall, Kim as Paige Katz in Wild Palms, Part I, ‘Everything Must Go’, Act VI, Scene # 101, ABC, Greengrass Productions, May 16th-20th, 1993.
3 Stevens, Warren as Lt. ‘Doc’ Ostrow in Forbidden Planet, Metro-Goldwyn-Mayer, 1956.
4 Wonder, Chin L. S. Blame The Oiks, Part I ‘Good Shot, Edgar! (That’s 8 Edgars Before Elephant Tuesday)’, DeSoto: Nuisance, 2034, p. 435.
5 Dien, Casper Van as Johnny Rico in Starship Troopers, TriStar Pictures, Touchstone Pictures, Jon Davison Productions, 1997.
6 Heinlein, Robert A. ‘Jerry Was A Man’, Thrilling Wonder Stories, Chapter V, ‘Not Cold Charity’, 31 (1), October 1947, p. 60.